ACID‑Like Bass Synth
In this patch, we’ll build a classic acid bass synth using the SVF filter (especially its resonance), along with the 8bit and ENV modules.
Hear how it sounds:
This patch assumes you’ve built the rest of the patches, as we derive some ideas from them.
Initial Patch
Let’s patch it:
Send some MIDI notes. Use a common acid pattern, or place notes on the odd steps of a 16‑step sequence (1, 3, 5, 7, 9, 11, 13, 15) — or on all steps. Add accents by changing the notes on selected steps.
Try adjusting the ENV and SVF knobs to hear how they affect the sound. Hover over knobs to see their functions.
Extra Tweaks
This is the basic patch. Try these tweaks to make it more interesting:
- Use the HF (high‑pass) and BP (band‑pass) outputs instead of the LF (low‑pass) output of the SVF module.
- Add the DRIVE after the SVF to introduce distortion.
- Use the MCO module instead of 8bit for the basic sound source.
- Add the V2CA after the SVF for VCA control (use the same envelope for the V2CA).
- Use a different envelope for the ENV module (try a second ENV or a GATE).
More from Patch Ideas
Sound Check
Create bubbly sounds by modulating noise through a filter.
Supersaw Bass
Create a supersaw bass with an 8-bit oscillator and a low-pass gate.
Overdrive / Distortion
Add warmth and character to your audio by applying analog distortion.
MIDI Connectivity
Connect MIDI devices to Bread Modular and make sounds.
Polysynth with 16bit
A 9 voice polysynth patch using the 16bit & MCC module. It features a moog like filter.